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	<title>MustHear.com &#187; Funkadelic</title>
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		<title>Funkadelic &#8212; Funkadelic</title>
		<link>http://www.musthear.com/music/reviews/funkadelic/funkadelic/</link>
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		<pubDate>Sun, 05 Oct 2008 04:02:28 +0000</pubDate>
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				<category><![CDATA[Funkadelic]]></category>
		<category><![CDATA[Funk]]></category>
		<category><![CDATA[Rock]]></category>

		<guid isPermaLink="false">http://www.musthear.com/music/?p=993</guid>
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<p><small><strong>Date:</strong> 1970<br />
<strong>Release:</strong> WESTBOUND<br />
<strong>Cover Art: <a href="/music/?attachment_id=994">view / download</a></strong><br />
<strong><a href="http://www.amazon.com/exec/obidos/ASIN/B000001TV9/musthearcom">Buy the Album</a></strong></small></p>
<p>One of the few instances where a band’s name totally describes its sound. With their 1970 self-titled debut album, we hear the raw <a href="/music/genre/funk/">funk</a> rhythms of <strong>the Meters</strong> collide with the psychedelic soul sounds of <a href="/music/collection/reviews/jimi-hendrix/">Jimi Hendrix</a>, giving rise to the musical revolution that was Funkadelic. A raw and nasty musical manifesto loudly expressing the madness of King <strong>George Clinton</strong>, founding father to the &#8220;extraterrestrial brothers&#8221; of <strong>Funkadelic</strong> and <strong>Parliament</strong>.  This album is designed to answer the one burning question it asks in the title of the first track: &#8220;Mommy, What’s a Funkadelic?&#8221; Definitive bits of Clinton’s strange take on the universe are to be found throughout this hard-grooving acid-trip of an album, such as &#8220;soul is a joint rolled in toilet paper,&#8221; and &#8220;I got a thing / you got a thing / everybody’s got a thing.&#8221;</p>
<p><span id="more-993"></span></p>
<p>These random insights give way to moments of more serious reflection, as Clinton confesses, &#8220;I once tried to escape this music,&#8221; admitting &#8220;I was cool / but I had no groove.&#8221; All seven tracks are heavily laden with the fuzz guitar of the late-great <strong>Eddie Hazel</strong> and the thick bass of <strong>Bill Nelson</strong>, stretching and pulsing to create a truly original sound that set the stage for the 70s and beyond.</p>
<div class="albumextras">
<h3>Players:</h3>
<ul>
<li><strong>Ed Hazel</strong> &#8211; Lead Guitar, Vocals</li>
<li><strong>Bill Nelson</strong> &#8211; Bass, Vocals</li>
<li><strong>Tawl Ross</strong> &#8211; Guitar</li>
<li><strong>Tiki Fulwood</strong> &#8211; Drums, Vocals</li>
<li><strong>Mickey Atkins</strong> &#8211; Organ</li>
<li><strong>George Clinton</strong> &#8211; Mastermind</li>
</ul>
</div>
<div class="albumextras">
<h3>Tracks:</h3>
<ol>
<li>Mommy, What’s a Funkadelic? (9:04)</li>
<li>I Bet You (6:10)</li>
<li>Music For My Mother (5:37)</li>
<li>I Got A Thing, You Got A Thing, Everybody’s Got A Thing (3:52)</li>
<li>Gold Old Music (7:59)</li>
<li>Qualify &amp; Satisfy (6:15)</li>
<li>What Is Soul (7:40)</li>
</ol>
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