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Nick Drake

Date: 1968 (recording)
Release: Island #842915
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Just as our memories of such film stars as James Dean and Marilyn Monroe limit us to experiencing them in the past tense-through their films, through the photographs taken of them at their physical zenith, and before age, slowing careers, or personal hardships diluted their peak intensity — four records are all we can know about Nick Drake. The British folksinger, who died in 1974, has become the object of cult worship since his death: his albums have been boxed, his songs individually analyzed, and his life story told and retold to the point of attaining near-mythology. He has been the subject of a tribute album (Brittle Days, on England’s Imaginary Records, 1992), and even his practice tapes have been studied, analyzed and covered by a guitarist who admired Drake’s instrumental ability (Nine of Swords by Scott Appel, on Kicking Mule, 1988). He is a performer who sold very few albums during his lifetime, whose work never appeared on any album sales chart, but whose influence grows yearly — and isn’t likely to decrease in the future.

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Date: 1972
Release: RYKO HNCD #4436
Cover Art: view / download
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On his third and final album, Nick Drake sits alone with his guitar, creating music of haunting purity. Brilliant beyond compare, Pink Moon softly smolders with emotional power. It captures an infinitely talented artist in his most supremely honest moment, stripped of all pretense and orchestration. His songs of loneliness and isolation never sound self-indulgent, but rather innocent and sincere, as he delivers such lines as “Know that I love you/Know I don’t care/Know that I see you/You know I’m not there.” His guitar swirls and chimes in fluid rhythms, building an undercurrent of intensity that perfectly complements his sonorous vocals.

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